So I actually finished
Lucky by Alice Sebold almost 5 days ago but I'm just getting around to writing about it because it kind of took me out of emotional commission for a little bit. It was like a huge emotional overhaul and I just had to sit and stew on it for a while before I could move on. Although I guess that's the whole point of this journal thing is to deal with that...Ok so maybe I was just procrastinating and I don't like talking about my emotions (kind of like Alice...which I'm going to get to.)
So the actual catalyst for this post is the fact that I just found out this girl I went to Spain with this summer is now a freshman at Syracuse University where this book takes place/where Alice Sebold was raped when she was a freshman. And I know it's kind of ridiculous to worry about but I'm a worrier. It's just one of those really weird coincidences that's freaking me out a little bit. I mean of all the schools in the country for a girl from SD to go to, and of all the days I find out. It's just bizarre.
So I don't really know how to go about this. I have a bunch of places in the book marked so I'm just going to go through them and write about them as I come across them because of course this book was hard to read. It's about a girl around my age being brutally raped and she discusses everything in vivid detail and I'm one of those readers that is there with her. I am laying on that cold cement with broken glass digging into my back, I'm sitting in that courtroom with her being heartlessly cross-examined by a man who shouldn't ever be let inside a courtroom.
Firstly I want to state that I loved this book for all its difficultness. It's a hard subject matter and I have so much respect for Alice Sebold to not only write about it but about her own rape. It's a beautiful book in a weird kind of twisted way. My favorite part actually is how she doesn't mince anything. She lays it all out on the table from the very start. You open up the cover and *BAM* she hits you with it and you know exactly what you're getting yourself into. She doesn't hold back at all. And when she talks about her rape with her father she tells him to call It what It is, rape, and not that thing that happened or anything other than that. She lets it all hang out.
I find it kind of...funny (for lack of a better word) that she doesn't convey her emotions in her writing though. But I also understand and she mentions a couple of times how she was doing her best not to feel anything at the time: right before her preliminary trial (or whatever it is, I don't understand court proceedings) her rape crisis center counselor is trying to get her to talk and she says "She wanted me to feel. I didn't see how feeling was going to do me any good. Onondaga Country Courthouse was not a place to open up. It was a place to hold fast to what I knew to be the truth. I had to work at keeping every fact alive and available" and again after her trial she talks about why her parents weren't present, "I was nineteen and ornery. I was afraid of their comfort, that to feel anything was to feel weak." Two things from these. One, she's very analytical about everything. She focuses solely on the facts (also apparent throughout the rest of the book) instead of how she feels about any of it. When she sees her rapist again she doesn't think about how she's feeling but she focuses on his description so she can repeat it and have a picture drawn up. She lets her need to have him behind bars drive her and focuses her energy on that and collecting all the facts she needs to do that. And two, I'm reminded of myself in her refusal to show her feelings and weaknesses. While I've never been through anything nearly as traumatic I still hide my emotional weakness to everyone so they assume I'm doing fine. It's stupid really because sometimes what you need is someone to talk to and be there for you but they won't be there unless they know you need it but I never let them know because that's showing weakness and I hate that. I think Alice sees it as a man's world and in order to survive in a man's world you can't show your weakness and give away all your emotions because nobody will take you serious and that's basically how I feel. I thought about how I would react and think it'd be close to Alice's reaction. She felt compelled in the aftermath to show everyone she hadn't changed and she was the same person even though that wasn't true. We don't want to be labeled as Damaged Goods. And of course this whole need to carry on and pretend things are all right when your world seams to be crumbling around you reminds me of a song:
You gotta swim
And swim when it hurts
The whole world is watching
You haven't come this far
To fall off the earth
The currents will pull you
Away from your love
Just keep your head above
I found a tidal wave
Begging to tear down the dawn
Memories like bullets
They fired at me from a gun
A crack in the armor
I swim to brighter days
Despite the absence of sun
Choking on salt water
I'm not giving in
I swim
Swim by Jack's Mannequin
One of my favorite quotes from the book: "No one can pull anyone back from anywhere. You save yourself or you remain unsaved." This quote really struck me, how people can help you and give you the tools to save yourself but ultimately the only person that can really save you is you. It's up to you to get the help you need and then it's up to you to fight and take that help so that it's beneficial. Nobody can save you without your own consent. It's both empowering and a little scary.
Another of my favorite quotes: "I didn't have much patience with it anymore. Violence only begat violence. Couldn't they see it left all the real work to the women? The comforting and the near impossible task of acceptance." And I think that's a good place to leave it. Take from it what you will.